Tuesday, February 8, 2011

Catch me If You can

First viewed the film on 10th February 2003 for the first time.
Have had read the novel twice in year 2002 and 2007.
One the 13th June 2010, I have watched it again for the forth time.
‘Till today,the impression never cease.. Do you concur?

Directed and produced by Steven Spielberg, starring Leonardo DiCaprio as Frank William Abagnale Junior & Tom Hanks as FBI agent Carl Hanratty, released on December 25, 2002, ‘Catch Me if You Can’ is a comedy-drama film based on the life of Frank Abagnale. Set in the 1960’s the film chronicle the life of Frank, who before his 19th birthday, successfully conned millions of dollars by posing as a Pan American World Airways pilot, dead-heading to many destinations in the cockpit jump seat, and he impersonated as a Georgia doctor (complete with a forged Harvard Medical School degree). Furthermore, he created a phony document of Harvard Law Transcript and then he legitimately passed his bar exam and masqueraded as a Louisiana attorney, which is awesomely impressive... His primary crime was cheque forgery, becoming so skilful that the FBI eventually turned to him for help in catching other cheque forgers.

Frank Abagnale is now one of the world’ most respected authorities, working with the FBI’s Financial Crime Unit on counterfeiting and secure documents, including check swindling, forgery and embezzlement. He has been a consultant, lectured and instructed hundreds of seminars worldwide and continues to offer his services for free to the FBI. Moreover, he has published several books, manuals and articles and has designed secure checks that are utilized by businesses worldwide

One of the factors that the film gets my attention is the setting. A near-flawless palette of period looks from the ‘50s and ‘60s times. The sequence of 'cat and mouse' chase between Frank Abagnale & Hanretty, also has succesfully created a lasting impression through its witty, clever scenarios, the humour that it contains and the mockery within. Especially the Soundtrack, which I still listen too for over 7 years, the collection and tone of music assembled dealt greatly with 1960’s pop culture. The fusion of several older generation songs with a similarly retro style of jazz in the underscore is obvious. John William’s composition for this particular film represents the perpetual chase. “The Float” is shifty with attractive rhythmic romp that is cyclical in its vibraphone and woodwind rhythms. It exhibits an excellent saxophone solo with ominous dramatic undertones.

Personally, I love “ Broken Home” the most, where the music volume has been reduced to melancholy solitude carried by a slow solo harp and lonely shadows of the solo sax and piano performances that graced the score's beginning. Perhaps, the whole OST has summarised a well-documented music album with indeed, a well genre-constrained score. The music simply never bores me. And it has been proven so strongly as I have listened to the soundtrack over and over again for more than 7 years.

Both reading the biography and watching the movie is inseparable. It would not be complete without doing both activities. Indeed, it has become one of my favourite movie to watch. While, the book itself is not to be missed, and if you decided not to read the book, you miss all the details.

Sources:
• Editorial Review, Filmtracks – Catch Me If You Can, written on 14th December 2002, revised on the 10th January 2009. Copyright © 2002-2010, Christian Clemmensen (Filmtracks Publications).
http://www.filmtracks.com/titles/catch_me.html

• Frank W. Abagnale, with Stan Redding , Catch Me If You Can – The True Story of a Real Fake, Bantam Book, USA 1980.

• Margaret A. McGurk, DiCaprio, Hanks have fun, so catch them if you can – The Cincinnati Enquirer, Friday, December 27,2002.
http://cincinnati.com/freetime/movies/mcgurk/122702_catchme.html

• Susan Goodwin & Becky Bradley, American Cultural History, Lone Star College – Kingwood.1960 – 1969.Copyright © 1999 [Kingwood College Library]
http://kclibrary.lonestar.edu/decade60.html

• The Wikipedia Encyclopedia. Catch Me If You Can.
http://en.wikipedia.org/wiki/Catch_Me_If_You_Can

Wednesday, February 2, 2011

Chinese New Year Eve 2011

I always love Chinese New Year Eve, as it is the best time to gather all families and relatives in Melbourne. For 2011, we celebrated the night for the first time at home. Except, the Yee Sheng (鱼生), all foods were home-cooked by the mothers of the families. Sadly, this year, my cousins : Shalyn 's family and Nith 's were not able to join us. Hope to see you guys soon. Looking forward to celebrate this with friends as well. And, I miss all my other extended families, cousins which are scattered all over many different locations. Wish you all a Happy Chinese New Year 2011. Giong Hi !

祖大家新年快乐。恭喜发财

Nasi Tumpeng

29th January 2011, House Warming at Robert & Nina 's residential home =p

The hosts had been very generous in providing us the meals. We had Indonesia's famous Nasi Tumpeng. Which usually, is only served to celebrate important event. The philosophy of Tumpeng signifies the geographical condition in Indonesia, especially Java to be fertile island. The tall cone shape of the rice symbolized the mountain in Java as tall and magnificent. This unique dishes was served as a means to signify blessings for the house. This was followed by prayers and blessings by the invited pastor and many friends who love and supports this family.

All foods were delicious, including Nina's home-cook 'Bak mi', or Indonesian noodles. The guests had great time enjoying themselves in the house. The house-warming was a success. And not to forget, Himelda's Indonesian style cheesecakes and her signature Tiramisu were really wonderful :)

'Après Un Rêve'

Gabriel Faure (1845-1924)'s ''Après Un Rêve' is one of my favorite French vocal music.

Truly lyrical, beautiful, melodious and deep.....moreover, it speaks of dream, night, mystery and fantasy.. Though I have known for this song from the vocal accompaniment 4 years ago with my friend, a vocalist.. I had naught understand fully the meaning of this lyric back at that time... instead... the meanings flow naturally now..maybe it is due to the maturing process that is happening....it is probably the most suitable music to immerse in during solitary times, especially during peaceful slumber accompanied by the warm voices of the gentle rain.....


'
Après Un Rêve'

Dans un sommeil que charmait ton image

Je rêvais le bonheur, ardent message;
Tes yeux étaient plus doux, ta voix pure et sonore
Tu rayonnais comme un ciel éclairé par l’aurore;

Tu m’appelais, et je quittais la terre

Pour m’enfuir avec toi vers la lumière;
Les cieux pour nous entr’ouvraient leurs nues;
Splendeurs inconnues, lueurs divines entrevues...

Hélas, hélas, triste réveil des songes !

Je t’apelle, ô nuit, rends-moi tes mensonges;
Reviens, reviens radieuse
Reviens, ô nuit mystérieuse

Translation:


'After A Dream'


In a slumber charmed by your image

I dreamed of happiness, ardent mirage;
Your eyes were more tender, your voice pure and clear.
You were radiant like a sky brightened by sunrise;
You were calling me, and I left the earth
To flee with you towards the light;
The skies opened their clouds for us,
Splendors unknown, glimpses of divine light...
Alas! Alas, sad awakening from dreams!
I call to you, oh night, give me back your illusions;
Return, return with your radiance,
Return, oh mysterious night!